Showing posts with label Riccarton. Show all posts
Showing posts with label Riccarton. Show all posts

Apr 22, 2009

1887 Bicycle Race

As the restoration and geo-tagging of the ten thousandth vintage streetscape looms, the four dimensional model of Christchurch is acquiring a degree of accuracy, which now allows for the positive identification of virtually all historic images of the city.


The above photograph was taken just before seven o'clock on the morning of Monday, the 26th of September 1887 by Alfred Ernest Preece (1863-1946), who lived close to the lower Riccarton Road location. It comes from the collection of the Canterbury Museum (ref 10959).

The extant Standish and Preece photographic studio was situated at 218 High Street in that era. A regular photographer of cycling events, Preece was probably also the proprietor of the A. E. Preece Cyclists' Exchange in the second A1 Hotel building on the corner of Cashel and Colombo Streets.

The photograph shows the nine contestants at the start of the Pioneer Bicycle Club's fifty mile (80 Km) bicycle race from Christchurch to Leeston and back. The race was won by Richard Bargrove of Waverley Street, New Brighton, who started from scratch and completed the race in 3 hours and 35 minutes. Beating the record by 8 minutes, Bargrove finished 20 minutes before the field.

Seen to the Right at the beginning of Riccarton Road in this easterly view is the Riccarton Hotel. The once famed hostelry stood on the southern corner of Riccarton Road and Deans Avenue at the Riccarton roundabout until 2006.

Dating from 1851, when it was known as The Traveller's Rest, subsequently as the Plough Inn when reconstructed in 1865 and then as the Riccarton Hotel, followed by Nancy’s Hotel until its last ignominous incarnation as the Fat Lady's Arms.

An early favourite with the horse racing fraternity, the hotel's eastern facade (below) faced Hagley Park opposite the finish line of the Canterbury Jockey Club's original racecourse.

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Restored detail from the National Museum of New Zealand's circa 1905 photograph

Apr 18, 2009

Maurice Conly, Artist


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At the end of a 3,488 kilometre flight from Christchurch, NZ7005, a 1969 Lockheed C-130H Hercules aircraft of the Royal New Zealand Air Force's No.40 Squadron unloads passengers and supplies at the Williams Field on the Ross Ice Shelf in McMurdo Sound in early 1974.

Seen above in original livery, but subsequently painted out in shades of camouflauge green and now in a monochrome gun-metal grey, the 40 year old aircraft is still in service with the RNZAF.


No work of a local artist would be more familiar to New Zealanders than that of the relatively unknown Maurice Conly.

For 54 years Wing Commander Robert Maurice Conly (1920-1995) was the last Royal New Zealand Air Force Official Artist. But beyond his stamp designs for New Zealand, Tokelau, the Ross Dependency, Niue and the Cook Islands, Conly's New Zealand twenty cent and one dollar coin designs are familiar to all Kiwis.

Dunedin born and trained, Conly was based at Christchurch when he returned to Antarctica in 1974 as an Antarctic Arts Fellow under the Artists to Antarctica Programme.


Commissioned to paint three large dioramas of wildlife studies for the Antarctic wing of the Canterbury Museum in 1977, he published Ice on my Palette in the same year. The coffee table sized book includes 27 sketches and 26 colour plates, with text by the Dunedin author Neville Peat, then an information officer with the Antarctic Division of the Department of Scientific and Industrial Research.

One of the joys of the last town before Antarctica is the weekend Flea markets, not the trendy version on the city's outskirt at Riccarton, but the smaller, lesser known markets dotted around the inner suburbs. Signed by the authors, a copy of Ice on my Palette (from which the top illustration comes) was recently found in the Linwood Market at approximately a fifty-sixth of its international market value.

Mar 10, 2009

Historically Important Photograph Indentified


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A recent indentification enquiry from a reader has resulted in the discovery of a photograph of considerable signficance to historians of Victorian photography. By Nelson King Cherrill, it is a photograph of Oakford, his Christchurch home, and was purchased on a New Zealand Internet auction site for eight dollars, which is estimated to be approximately one hundredth of its value in an international market.

One of the most respected names in Victorian photography, Cherrill (1845-1916) is first recorded as active in that profession in 1865. Aged 32, with his wife and two children he emigrated to New Zealand in July 1876. An internationally renowned writer and lecturer on photography, Cherrill set about making a local name for himself, becoming a Warden of the pro-cathedral (St Michael and All Angels church), Honorary Secretary of the Philosophical Institute of Canterbury and a Christcurch City Councillor from 1879. After five apparently successful years, Cherrill closed his Cashel Street studio and returned to England. It has been suggested that, as a big fish in a very small pond, he lacked professional challenge in an obscure provincial backwater.

Situated upon a sandy hillock on a 20 hectare rural block on the southern side of lower Riccarton Road, Oakford had been built in 1857 by Henry Joseph Hall (1837-1897). Hall appears to have also owned the adjacent block, which now comprises most of the Riccarton shopping precinct, but was originally known as Hall's Township.

Advertised for sale or to let in the Lyttelton Times, as located over Hagley Park, near the Riccarton Railway Crossing, with nine principal rooms, Nelson Cherrill sold Oakford in 1881 for £650 to George Low Beath (1827-1914), a Draper and Outfitter also of Cashel Street.

The last owner of Oakford was John Heaton Rhodes (1888-1960), lawyer, chairman of the Christchurch Press Company Ltd. and a grandson George Rhodes (1816-1864), an early Banks Peninsula farmer.



The much enlarged and somewhat modified Oakford homestead was demolished in 1965 to make way for the development of the Riccarton Village Inn motel in Mandeville Street (which was originally known as Chinamen’s Lane).

Donated to the Riccarton Borough by Jack Rhodes, the Mandeville Reserve on the eastern corner of Riccarton Road and Mandeville Street survives as the last 888 square metres of his 3.2 hectare garden.




Photo Credits

Top: circa 1880 photograph by Nelson King Cherrill (1845-1916), courtesy of Early Canterbury Photographers.

Bottom: circa 1960, illustration from Riccarton, the founding borough: a short history, by Ian McBride, edited by Malcolm Hopwood, prepared for the Riccarton/Wigram Community Board, Christchurch City Council, 1994.

Jan 21, 2009

The First Royal Visit

Known as "Affie" and also considered to be the handsomest among his numerous kin, Victoria and Albert's second son spent three early Autumn days in the Christchurch of 140 years ago.


His Royal Highness Alfred Ernest Albert, Prince of Great Britain and Ireland, Duke of Saxe-Coburg, Gotha, Saxony, Edinburgh, Strathearn, Jülich, Angria, Westphalia, Cleves and Berg, Earl of Ulster, Kent, Ravensberg, Henneberg and of the Mark, Lord of Ravenstein and Tonna, etc.

Beneath a most amiable exterior Prince Alfred (1844-1900) would appear to have concealed a rather dissolute character; prior to his arrival in New Zealand, he'd kept his escorts and the New South Wales Governor's carriage waiting for three hours in front of the home of a well known Sydney prostitute. Alfred's only son would later be involved in a similar scandal, but lacking his father's cavalier disdain for bourgeois convention, shot himself during his parents' Silver wedding anniversary celebrations.

Affie's mum might have been able to rule her daughters with a rod of iron, but the philandering lads proved to be an embarrassing problem, which , like her Empire, was best viewed from some distance. Thus it was that in 1867 the 23 year-old prince found himself in ostensible command of H.M.S. Galatea (below), a 4,686 ton Ariadne class auxiliary steam frigate, with a compliment of 450 to try and keep him out of harm's way.


Subsequent to economies in order to reduce the number of ships on foreign stations, Britain's Royal Navy had compensated by forming a Flying Squadron, which undertook extensive world-wide cruises for training and flag waving purposes. And so, after leaving Sydney on the 6th of April, 1869, the squadron warships Challenger, Rossario, Blanche and Galatea reached Port Nicholson five days later.

Departing from Nelson at 11 pm on the 21st of April, and with her 800 horsepower engine maintaining a speed of 13 knots, the ten year-old Galatea, in company with H. M. S. Blanche, arrived at Lyttelton at 8.00 am on the following morning. The frigate anchored off Little Port Cooper and her escort moved further up the harbour to Camp Bay.

The steamers Gazelle, Moa, Comerang and Betsy Douglas took passengers by the first train from Christchurch to view the largest warships to have entered the Port. (Galatea was to be opened for public inspection for several hours on the days of her visit).

The paddle steamer Gazelle, with about fifty passengers aboard, was the first to leave the wharf, and only having been launched from the Lyttelton slipway the previous day, looked like a gaily painted yacht. It was expected that the Prince would land from his Captain's barge, and the passengers aboard the small steamers were anxiously watching for him to disembark. However, the Gazelle, which had been engaged by the Government to convey the baggage of the Prince and his suite ashore, when going alongside the Galatea, offered to place the vessel at the disposal of the Prince for his own conveyance, and upon the offer being accepted, the Gazelle's passengers were transferred to the Moa.


At twenty minutes past ten, the Galatea's guns fired a royal salute to announce that the Prince had left the vessel, but the mode of transport chosen by the royal party was unknown to the crowd assembled at the wharf. Their confusion was increased as the paddle steamer, which was flying a Union Jack instead of the royal standard, came alongside the wharf. But when the Governor, Sir George Bowen, was recognised among the passengers, they were finally convinced that the Prince and his entourage, who were dressed in plain suits, were aboard.


The landing steps were covered with red and blue cloth and a pathway of shells led through a triumphal arch, decorated with ferns, Nikau fronds, Flax and Toitoi, to a small red dais bearing the royal arms. On the side of the arch fronting the water were the words, "Welcome, Victoria's Son" and on the reverse side, "God Bless Prince Alfred." On the dais the Prince was received by William Rolleston, Superintendent of Canterbury, while a local band belted out God Save the Queen and a guard of honour from the Lyttelton Volunteer Artillery presented arms. It would be a long remembered day for the 400 Lyttelton children who had been given a school holiday to view the ceremony.


After a speech from the Mayor of Lyttelton, the royal party boarded a special train for Christchurch (above), where they arrived at 11.20 am on that Thursday morning. At the railway station (below) the Prince was received in a tent pavilion, filled with the rarest plants and a bevy of provincial Mayors, with yet another speech by John Anderson, Mayor of Christchurch. Army volunteers presented arms, another band played the National Anthem, the Artillery fired a royal salute and, seated in a carriage, the Prince was escorted through the town by a procession, which included four Bands, and was more than a Kilometre long.


Film speeds in 1869 were extremely slow by modern standards and so long shutter exposures prevented the capture of movement. Accordingly, there are no known photographs of the procession, but here are three photographs of the triumphal arch in High Street, between Hereford and Cashel Streets.




With 56 hotels serving a boozy population gradually approaching 7,000, an enthusiastic crowd of more than 8,000 Cantabrians lined the muncipality's streets. Sorely in need of a breather, the royal party retired to the Clarendon Hotel (below), where a suite of rooms had been reserved, to be recieved by the somewhat theatrical owner, George Oram, who was dressed as a Footman in breeches and a powdered wig.


At 1.15 pm, the Prince left the hotel to attend a Civic Reception in the Canterbury Provincial Council Chamber, at which many local dignitaries were presented. After lunch, accompanied by George Bowen and William Rolleston, the Prince travelled down Lincoln Road and on to Governors Bay, returning to his hotel at about 5.30 pm.

During the day a free dinner for a thousand citizens was given at Barnard's horse repository in Cashel Street (below), and the Oddfellows held a fete at their Lichfield Street premises, but the Prince didn't attend either function.


On Friday, the 23rd the Prince was obliged to sit through speeches by local Maori and West Coast politicians. In the early afternoon, driving himself by four-in-hand to Riccarton, he attended the Autumn race meeting of the Canterbury Jockey Club.

That evening the Banks and principal buildings were brilliantly illuminated, and crowds promenaded the streets 'till a very late hour. There was a Royal Ball for 300 guests in the Provincial Council Chamber, where the Prince's host at the Clarendon Hotel got sloshed and assaulted the artist John St Quentin. George Oram was subsequently fined 20 shillings in the Magistrate's Court.

Below: the fourth triumphal arch at the intersection of Colombo and Armagh Street.


For the benefit of the hoi polloi, on the morning of Saturday the 24th the Prince attended a Pigeon racing match in the Botanical Gardens, where he also planted an English Oak and a Giant Sequoia on the Armstrong Lawn, facing Rolleston Avenue. Passing through the fifth triumphal arch at the intersection of Cashel and Colombo Streets (below), he later attended a children's function in the Garrison Drill Shed in Montreal Street, where Master Samuel Thomas Stansell of the Durham Street West Wesleyen School made a speech and more than 3,000 young Cantabrians rendered another version of the National Anthem. That evening he was guest of honour at a private dinner given by the members of the Christchurch Club in Latimer Square.


The royal visit ended the following morning when Prince Alfred boarded the Eclipse class sloop HMS Blanche (below) bound for Port Chalmers, where he arrived at 12.30 pm on Monday the 26th of April.


In retropect it would be considered an era when pioneering hardiness deemed our far-flung colonials more robust and thefore less accustomed to nervous strain than their seemingly effete English contemporaries. Accordingly, a degree of culture shock appears to have prevailed between the prince's overly civilised suite and their local hosts. Amongst themselves, the royal party joked about the excrutiating pomposity of local dignitaries, but the prince's successors on more than fifty subsequent royal visits would come to accept such tedious pretension as just another occupational hazard of the job.


Prince Alfred at the time of his visit.




Photographic credits: the photographers Alfred Charles Barker (1819-1873) and Daniel Louis Mundy (1826-1881) and the Artist William W. Stewart (1898-1976), the photographic collections of Anthony Rackstraw, the Christchurch City Libraries, the Canterbury Museum, the Alexander Turnbull Library, the Australian Mariners' Welfare Society, the New Zealand Electronic Text Centre, et al.

Nov 12, 2008

Half a Building


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Probably photographed in 1906, this is Harry Gudsell's Saddlery on the north side of Cashel Street, in what is now part of the City Mall (between Colombo Street and Oxford Terrace).

The building first enters the city's visual records in 1855 as the premises of the Hairdresser Tommy (Thomas Bowhill) Thompkins (below). Later a Publican at Heathcote, Bowhill Road at North Beach is named after him.


The Saddlery is standing at the extreme Left of an original quarter acre section, first occupied by the premises of the Carrier Richard Sutcliffe and now the site of the Sony Electronics shop (below).


This part of Cashel Street was the first city block to be entirely occupied by buildings and was the centre of the early town's original shopping and banking district. Demand for street frontage could have neccesitated the removal of the the Right hand part of the Saddlery building in order to allow access to the rear for horses and possibly wheeled vehicles at a time when the (not visible) building to the Right of the Saddlery was constructed. It would have been a later building on the same original section, to which the Saddlery appears braced.


The Saddlery would have been sited to the Left of the above group of buildings, photographed in 1862.

The brick building to the Left of the Saddlery was designed by Bejamin Mountfort and built in 1879 as an extension to Mountfort's 1875 Ironmongery for Twentyman and Cousins (below).


Both the 1875 building and the later extension still exist (below), but only the facade of the upper floor of the extension has not been modified beyond recognition. The gated right of way (draped with blankets in the top photograph) is also extant and would have originally given access to stables and for the weekly night cart.


At the time that the top photograph was taken the Twentyman and Cousins' building had become the premises of A. G. Healing and Company, bicycle trade suppliers and vendors of the Ideal and Leader brands of bicycle tyres.




An early photograph of Harry and Sarah Ann Gudsell

Born at Weedons in 1871, Henry (Harry) Gudsell is recorded as a Saddler at Sefton in 1905. By 1910 he was living in Division Road (now Street), Riccarton, later moving to nearby Picton Avenue.

Probably the last surviving building from the earliest phase of the inner city's development Harry's Saddlery had been replaced by 1907 with a two storey brick building. Harry moved his premises to the other side of the old Twentyman and Cousins' building. The business is listed at the new address in 1925 as Gudsell and Close, Saddlers of 81 Cashel Street.


A Board member of the Wharenui School, he was also a Councillor of the Riccarton Borough from 1913 until 1929. Harry Gudsell died in 1937.

Canterbury Heritage is gratefully indebted to Anthony Rackstraw, publisher of the excellent Early Canterbury Photographers web site for the photograph of his forebear's half building, which appears to be unique in the Christchurch visual record.

Nov 11, 2008

Cultrural Vandalism?


An historic Christchurch house is currently threatened with demolition.

Situated on the Northwest corner of Riccarton Road and Deans Avenue, and marketed as far afield as Asia and Britain, the substantial two storey brick dwelling is being offered for sale by Tender as a redevelopment site, apparently suitable for yet another nondescript motel (thank goodness that economic recession is a two edged sword and might thereby offer a respite in this instance).

Although The Press newspaper reports that Christchurch residents are shocked by the potential loss, theirs is the only New Zealand city not to provide statutory protection for its built heritage.

To date none of the media reports pertaining to the house have been able shed light upon its history. In pursuit of its preservation, here then are our preliminary research findings.

Occupying a part of what was a large Wheat field in 1869, the one acre section at the southeast corner of the 1843 Riccarton Farm was sold by the Deans family on the 10th of March, 1879 for £1,000 to a Mr Kelsey, an Ironmonger of Manchester Street, Christchurch. Mr John Deans requested that the name Township of Riccarton be given to the area, prior to this time Riccarton Road had been known as the Great South Road and Deans Avenue as West Belt. Kelsey erected a wooden house on the site, which was subsequently replaced prior to 1890 with the current brick house by a Mr Hamilton (possibly the Builder Hugh Richard William Hamilton (1850-1934).

Before 1900 Hamilton sold the house to Professor Francis William Chapman Haslam (1848-1923). A scholar at St. John's College, Cambridge, Haslam's most famous pupil was the author Rudyard Kipling. Born in Sri Lanka, where his father was a translator of the Bible into Sinhalese, Professor Haslam arrived at Christchurch in 1879 to replace the renowned John Macmillan Brown in the chair of Classics at the Canterbury College of the University of New Zealand.

By 1920 Frank Haslam had sold the house to Richard Ernest James (1873-1970), who lived there with his unmarried sister; Miss N James. Richard James sold the corner of his garden to the council for a nominal 10 cents in order that New Zealand's first traffic roundabout could be developed at the intersection. Antique furniture from the house, donated by Mr and Miss James, now graces Fendalton's Mona Vale homestead.

By 1978 the house and its surrounding half an Hectare had come into the possession of its current owners; Hunter Lounge Suites (Christchurch) Ltd. The company conducted its furniture-making and sales business from the site, but now operates from a refurbished former Mitre 10 hardware store on Moorhouse Avenue. Hunter Lounge Suites is largely owned by Christchurch businessman Lionel Hunter, who does not wish to comment on this matter.


We'll continue to update this article as further historical information and/or developments come to hand.

Jul 7, 2008

Decline and Fall


John Azariah Slater Royds (1840-1919) from England's industrial north made a name for himself after settling at Invercargill. The Royds family prospered and two of his sons set up as produce merchants at Christchurch (a later Royds produce merchant recently made a bit of a splash for keeping his girlfriend on ice).

In 1857 the Wood brothers built a seven storey windmill in Antigua Street. It soon became apparent the ferocious Christchurch winds were too much for the structure and in 1860 they leased (and later bought) land on the 1843 Deans farm at Riccarton. Here they erected a water driven flour mill on the Avon River. By 1900 the city was enjoying one of the peaks in its unstable economy and demand for lifestyle acreage had turned lower Riccarton into valuable real estate.

The Wood family sold a portion of their land, between the upper Avon and a tributary stream, to John Ingledew Royds (1870-1949). In 1908 the ardent Prohibitionist built Royden, a substantial house overlooking the river, with Tennis courts and a horse paddock fronting on to Straven Road.

About 1937 Royds sold the house to Ernest Edward Coombes (1900?-1968). Within two years Coombes had split the acreage into residential sections, developing Royds Street across the former horse paddock.

Royden's penultimate owner sold the house to what he believed to be a heritage Family Trust. That trust turned out to be a property developer, who demolished the house in May, 2007 upon the justification that "It was extremely Borer-ridden. I could have honestly pushed that thing over with my digger, sideways. It was very, very rotten and very unstable." However, a regular visitor to Royden before the advent of the developer, and who knew every room, got quite the opposite impression from the then owners.

Construction of three luxury townhouses then commenced on the site, which is now in the suburb of Fendalton, rather than the less salubrious Riccarton of an earlier era. In July, 2008 The Press newspaper reported that the development appeared to have been abandoned at a mid-construction phase.

Had the citizens of Christchurch yet further need of example that the City Council allows heritage buildings to be demolished by a strange type of stealth through the Resource Management Act, then the vacant site of the former Tivoli Theatre will suffice.

Marking the end of the grand movie theatre facades that were once dotted around Cathedral Square, the former theatre was also demolished in May, 2007. Without the impediment of an heritage listed building, the 2,700 square metre vacant site is now for sale by its property developer owner.

Further reading

Construction halted on Royden homestead site
The Press, 07 July 2008.

Royden - Our Building Legacy
The Press, 26 January, 2008.

Canterbury Heritage acknowledges the copyright of the Christchurch City Council and Fairfax Media Ltd in respect the above images.

Mar 1, 2008

Canterbury Photo of the Year Nomination

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Abandoned looms in the derelict Feltex carpet factory at Upper Riccarton, Christchurch.

Canterbury Photographic Excellence 2008 Nomination.

Feb 16, 2008

Fleshin' Out Dem Dry Bones

Republished here for the first time since 1856 The Progress of Canterbury : A Letter Addressed to Joseph Thomas, Esq., Late Principal Surveyor and Acting Agent of the Canterbury Association is a 7,422 word pamphlet in the form of an open letter from one of the more unusual Shagroons to his long term friend; an even more unusual sort of chap.

Bob Waitt and his chum Joe Thomas arrived at Wellington in 1840. Robert Waitt (1816-1866), a 24 year old canny Scot settled at what was then known as Te Aro Beach, establishing himself as a General Merchant, Agent, Auctioneer, Importer, Exporter and Coastal Trader. Joseph Thomas (1803-1881), a former Army Captain, joined the survey staff of the New Zealand Company.

Described as an engaging character the eccentric Waitt, a Wellington Municipal Councilor by 1842, sealed his letters with a neat Dinna Forget in place of the usual crest or monogram. In 1850 he opened a branch of his business at Lyttelton and by 1854 had also leased the Motunau station from Edward Greenwood. To the North of the Waipara River, and then known as Double Corner, he renamed it Teviotdale Station (in his text Waitt refers to Motunau as Motinua).

Fellow run holder Charles Cox described him as a red-faced man with tow-like white hair, large prominent tusks of teeth, and abundant evidence of being addicted to tobacco for chewing purposes. A picturesque story-teller, his friends are said to have known him as "white-headed Bob, the liar."

At some time between 1854 and 1857 Waitt purchased the 50 acre Casterton estate in the Heathcote Valley from the Reverend Robert Paul, where he is described as a Gentleman by 1860 - a presumption that would probably have invited ridicule in his native Jedburgh. He died, aged 50, in 1866 and is buried in Christchurch's Barbadoes Street Cemetery. Survived by only one of his three children, he was thereby the grandfather of Leo Acland, author of the renowned The Early Canterbury Runs.

The ostensible recipient of Waitt's loquacious paean led the Canterbury Association's 1848 preliminary expedition. Acting as the first resident Agent and Principal Surveyor he appears to have offended many of the 110 Europeans employed in the early development of the Theocratic Utopia. Said to be overbearing, unreliable and impulsive, the large, burly and bespectacled Thomas was unable to brook advice or opposition.

The opinion of his assistant Edward Jollie was that Thomas was not altogether in his right mind, "...he had had so many losses from putting trust in other people's honesty that he had become suspicious of everyone. He was however a very honest and hard working administrator of affairs for the Association..."

Joseph Thomas' boss arrived at Lyttelton in April 1850, expressing dissatisfaction at what he considered the excessive expenditure on some of the works which Thomas had thought necessary. The eventual consequence being that Thomas left the Province in January 1851, departing the colony permanently in the following year.

Perhaps one of the least fortunate aspects of his legacy was a refusal to allow his assistant to include broad avenues and crescents in the city plan, describing them as mere "Gingerbread."


However, Waitt's contemporary perspective on the early development of the Province makes for an interesting read.

The Progress of Canterbury : A Letter Addressed to Joseph Thomas, Esq., Late Principal Surveyor and Acting Agent of the Canterbury Association